Released by Firstcom Music in 2015, this project was conventional in many respects - a combination of bowed strings and acoustic guitar. But something was fundamentally different. Here is the concept as it was originally pitched... ...continue reading "Living Green"
Co-writing is like dating in so many ways. You're looking for someone who inspires you. You're looking for someone who can make difficult work fun, someone who can help make the future look bright even though the road ahead seems so unclear. And you're looking for someone who can tell the truth - as well as recognize it to begin with.
Of course those dates will cost you something ...continue reading "Match.co-writing"
Songwriting for most people must be a very solitary process. It certainly has been for me over the years. Until I moved to Nashville where co-writing happens to be the norm. If you've never lived in Nashville, or at least visited, it's likely you've never co-written a song. It's a foreign experience for the average songwriter and can be a bit intimidating.
Speaking of dating, it's very much like that. Basically, you need to try it with different people to find out who you mesh with. It's fine to date around, but there are still some ground rules - discussed here.
I spent several months this year working on a songwriting project for a music-licensing-for-film-and-tv company. (Here's No Tears Allowed from the album Big Whisper):
- 1. No Tears Allowed - Bishop/Portis-Cathers
- 1. Jacarta - by Daniel Portis-Cathers - Dan Portis-Cathers
Creative thought is generated in an infinite number of ways. (Artist Amy Mfuni created the charcoal drawing shown here while listening to this piece). I was in a certain mood from listening to the Slumdog Millionaire soundtrack over a period of several days. Additionally, I had begun to dig more thoroughly into Spectrasonics’ wonderful Omnisphere instrument plugin. Hearing other powerful music and playing with great tools often inspires me to create ...continue reading "Jacarta – Music Production Tutorial"